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Gustave Courbet
Castle
mk242
10x13.6cm
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Gustave Courbet
Stream
242
10x13.6cm
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Gustave Courbet
Allied forces
mk242
1871
66x26.7cm
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Gustave Courbet
Death penalty
mk242
1871
16.6x26.7cm
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Gustave Courbet
Children
mk242
1856
84x51.5cm
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Gustave Courbet
Dog
mk242
1865
65x81cm
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Gustave Courbet
Portrait of Mary
mk242
1857
176x106cm
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Gustave Courbet
Louis
mk242
1857
148x106cm
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Gustave Courbet
Woman
mk242
1862
120x175cm
Oil on canvas
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Gustave Courbet
Portrait of Baluni
mk242
1865
92x73cm
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Gustave Courbet
Fisherboat
mk242
1866
46x60cm
Oil on canvas
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Gustave Courbet
Bather
mk242
1866
130x98cm
Oil on canvas
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Gustave Courbet
Village
mk242
1867
86x126cm
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Gustave Courbet
Lady
mk242
1867
816x4cm
Oil on canvas
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Gustave Courbet
Situation
mk242
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Gustave Courbet
Self-Portrait
mk242
1877
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Gustave Courbet
Interment
mk242
1849-1850
314x665cm
Oil on canvas
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Gustave Courbet
Studio
mk242
1854-1855
361x598cm
Oil on canvas
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Gustave Courbet
Dreamland
mk242
1866
135x200cm
Oil on canvas
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Gustave Courbet
bonjour monsieur courbet
mk247
1854,oil on canvas,50.75x58.375 in,129x149 cm,musee fabre,montpellier,france
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| Gustave Courbet
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1819-1877
French
Gustave Courbet Locations
was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century.
Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs.
In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.
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